A social issue that is often addressed by artists and
activists is homelessness. Lucy Orta,
an English contemporary visual artist living and working between
London and Paris, participated in an interview with C. Ondine Chavoya. This
interview was published in ‘The Interventionists.’ Orta was asked which practices/or
movements associated with the visual culture of the 1980s was she most engaged by.
She replied, “New York City and the cultural multiplicity – East Village,
street culture, homelessness, art, fashion, independence, and fear – were all powerful
forces on a naïve English fashion student” (31). Orta built The Mobile Intervention Unit (M.I.U.).
The M.I.U. is a temporary sleeping quarters for several people. It is a module built
onto a light-weight trailer made from composite aluminum parts. Also included in
‘The Interventionists’ is an artwork by Michael Rakowitz. He calls his artpiece
paraSITE. It is an inflatable shelter for the homeless. He produced this by
attaching plastic bags and tape to air vents on buildings. The warm air expelled
from the HVAC system is used to inflate these shelters.
This social issue is not only addressed by artists in ‘The
Interventionists.’ Artists who have made socially engaging work about poverty
and homelessness are discussed in the article entitled Art About Poverty and Homelessness. One artist discussed is Andres
Serrano, an American photographer who became famous through his photos of
corpses. He also has a keen awareness of the homeless people on the streets of
New York City. Andres Serrano used the medium of a camera to photograph the
homeless in 1990 for a series called Nomads. He traveled the streets and
subways with a portable studio and photographed homeless individuals. Serrano
did not instruct these individuals on a certain pose to do. Most of them posed
in a heroic way. One example of this is an individual by the name of Sir
Leonard. Sir Leonard and other individuals seemed to be honored to be in the
art making experience. Over a decade later, Serrano took his photographs of the
homeless in a different direction. He decided to travel without his signature
studio elements, such as the portable photo studio, and instead used his
camera. He wanted to focus less on how the image would turn out and more on
personal connectivity and interaction. He implemented these new changes in
Residents of New York. “During the
photography shoot, participants of Residents of New York mentioned how
it is a blessing when someone takes time to interact with them and to acknowledge
them as not being invisible” (Art About Poverty and
Homelessness).
Jody Wood is an artist who addresses the homeless in a
different way. She made a project called Beauty
in Transition. She set up a mobile beauty salon that first originated in
2006 in Kansas. This mobile beauty salon serves for the homeless at shelters
around the city. She has also traveled to Denver, Colorado. Through A Blade of
Glass, which offers a variety of services
including landscape design, installation, and maintenance throughout Boston,
she was able to bring her mobile salon city-wide to multiple locations in NYC
in 2014. According to Wood, “Through providing
human-to-human dialogue beyond institutional constraints, this project aims to
facilitate empathetic understanding and to unravel the reductive label of
home-less.”
In
2011, artist Kenji Nakayama began hand-painting signs for Boston’s homeless individuals.
He replaced their dull cardboard signs with vibrant pieces of art to help get
people to notice them and bring attention to their needs. Nakayama launched the
project “Signs for the Homeless.” This project became even larger when Nakayama
teamed up with Cambridge resident Christopher Hope. They decided to do more
than just remake old signs and take before and after photos. They wanted these individuals’
stories to be heard and needs to have a chance at being met. The pair began to
interview the homeless subjects so they can have a chance to tell their life
stories. They post the photos and interviews on their blog, with the
individuals permission. This has given them a chance to connect with those who
can give them needed resources.
Activism
through art is very different from political activism outside the art world. Activism
through art is a way to use your creative abilities to stand for a cause.
People who use activism through art do not need to have a strong speaking
voice, as you do in the political world, because their artwork can speak for
itself. Political activists often use protests or lectures as a way to raise
awareness. When using activism through art you don’t just protest but you have
an artwork to show what you’re protesting for. Political activists use legal
ways to ensure their desired change. Activism through art can push boundaries
and may not always be legal. It is an overall more creative way to make a change.
Links
http://www.bostonmagazine.com/arts-entertainment/2013/08/07/signs-for-the-homeless-tumblr-kenji-nakayama/
http://moreart.org/art-about-poverty-and-homelessness/
http://jodywoodart.com/work.html
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